Tim Winton Wiki4/22/2021
Hn sai vuonna 1981 AustralianVogel National Literary Award ksikirjoituksesta, josta tuli romaani An Open Swimmer (1982), ja sen ansiosta hnest tuli tunnettu nimi.Winton muutti 1980-luvun lopulla perheineen ulkomaille, mutta Lnsi-Australian rannikkoseudut pysyivt hnen teostensa maisemina.
Tuolloin hn sai toisen palkinnon, vuonna 1992 Miles Franklin Literary Awardin teoksesta Cloudstreet, josta myhemmin syntyi yhteistyss yhdysvaltalaisen kirjailijan Ellen Fontanan kanssa televisiosarjan ksikirjoitus. Hn sai kolmannen kerran Miles Franklin Literary Awardin 2002, jolloin hnet palkittiin teoksesta Dirt Music ( Maantiemusiikkia ). Hn on kirjoittanut mys omaelmkerrallisia teoksia, kuten Island Home: A Landscape Memoir ja The Boy Behind the Curtain. Winton toimii aktiivisesti yhteiskunnallisten ja ympristkysymysten parissa ja on ollut Australian Marine Conservation Societyn varapuheenjohtaja. Otava, 2004. ISBN 951-1-18503-9 Sarja: Otavan kirjasto Lhteet Muokkaa. Katso kyttehdot. Wikipedia on Wikimedia Foundationin rekisterim tavaramerkki. A superb tale of disillusionment and redemption, loss and beauty, this is Winton in top form. Author Tim Winton has written 25 books for adults and children and has won the Miles Franklin Award four times. After years as a high-powered environmental activist hes now holed up in the books titular eyrie, a bolthole in the seedy Mirador apartments, a Fremantle highrise for the down-at-heel and down-on-their-luck. Keelys desire to hide away and his instinctive need to right wrongs are also about to come into sharp opposition. Winton approaches the question with his customary equanimity: people will, he knows, read the title in their own ways. He favours Eyrie to rhyme with airy: enjoying the connotations of openness, the echoes of wide spaces, the Australianness of the drawled opening vowel. The author of 25 books for adults and children, four-time Miles Franklin Award winner and the embodiment of that rarest of things, a commercially successful literary writer, the publication of a new Tim Winton novel is met with excitement and baggage in equal measures. Baggage, because of the weight of expectations and preconceived notions about what a Winton novel looks like. The book contains moments of real fury and desolation, and certainly doesnt offer any easy comfort or sentimentality, but the notion that literary achievement should only be measured by its grittiness doesnt do justice to the other achievements of this novel. One might just as readily point to its page-turning qualities the narrative is as propulsive as anything he has written before or applaud the novels caustic and frequently laugh-out-loud sense of humour. Throughout Wintons oeuvre hes told stories of lost souls and lost faith, casting his characters adrift and searching; searching for lost loved ones or improbable romance, for a way they might make their way in the world and for something to believe in. Eyrie is the latest iteration of this story, and its a cracker. Squinting through Fremantle sun, raging against everything in his path, Keely is fallen not because he has compromised the things he stands for but because he would not. In both marriage and work hed become more angry than effective, more impatient than observant and more honest than useful. The Keelys are clearly a family in the rescuing business: Doris (one of Wintons most beautifully realised characters to date) is a social worker turned lawyer; Faith is busy trying to rescue the global financial markets. Keelys assessment of his own achievements and virtues is sceptical at best: righteous in a misanthropic way, but its clear that for him, escaping his downward spiral will rely on finding a cause to believe in. With the arrival of the damaged woman and the anxious little boy in his life, Keely once again has a sense of purpose and a reason to engage with world. As he puts it memorably: It made a man feel enormous and substantial. But Keelys fitness for the task of saving anyone is questionable.
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